Modern & Contemporary Art Exhibitions in Nimes
Discover contemporary and modern art exhibitions in Nimes. Our exhibition guide helps you explore museums, galleries, and artist-run spaces showcasing modern and contemporary art. Whether you're an art enthusiast or a curious visitor, stay informed about what's happening in the art scene in Nimes.
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- The donation by Elisabeth and Alain Clément of a collection of paintings, sculptures and gouaches on paper in 2024 complemented a collection already held by Carré d’Art – Museum of Contemporary Art. Born in 1941 in Neuilly-sur-Seine, Alain Clément chose the South of France as his home. Together with Tjeerd Alkema, Jean Azémard and Vincent Bioulès, he founded the ABC Productions group in 1969. Close to avant-garde movements such as Supports/Surfaces, he took part in the theoretical debate questioning the nature of painting but quickly moved away from formal rigour to give free rein to a form of expressionism. He was a lecturer from 1977 to 1990 and director from 1985 to 1990 at the École des Beaux-Arts in Nîmes. The artist developed a long-standing body of abstract work situated at the intersection of compositional exploration, the sensuality of gesture and colour. His paintings, sculptures and prints combine visual pleasure, sensitivity and a strong sense of structure. The body is present both as a subject and in the painter’s physical relationship with the space of the canvas. The painting gradually steps out of its frame to engage with architecture. In 2024, he collaborated with the architects of the Nîmes Sports Hall on a large-scale installation.
ALAIN CLEMENT exhibition of a donation THE COLLECTION
Until 31 May 2027

Carré d'Art
Museum / institution
Past Exhibitions
Recent past exhibitions
- Carré d’Art – Museum of Contemporary Art is dedicating a major exhibition to Ida Tursic & Wilfried Mille, whose collaborative practice, developed over more than twenty years, directly questions the conditions of painting’s existence in a world saturated with images. Their work seeks neither to preserve the medium nor to assert its purity, but rather to expose it to excess, collision, and dissonance. Drawing on a wide range of iconographic registers, including landscape, portraiture, still life, abstraction, advertising imagery, and scholarly references, the artists compose paintings traversed by multiple layers, interruptions, accidents, and parasitic gestures. The images are taken, moved, superimposed, sometimes altered to the point of near disappearance, producing constant tensions between figuration and abstraction, recognition and loss of reference points. This logic of dissonance, which is always variable, runs through the entire exhibition, immersing us in the intimacy of the artists’ studios and in an empirical practice where painting functions as a system whose rules are constantly shifting. Styles contaminate each other, emotions shift, motifs circulate from one work to another. Sentimental scenes borrowed from post-war imagery, landscapes riddled with latent catastrophes, floral motifs, abstract gestures, and pictorial fragments coexist in a deliberately unstable proximity. Painting, omnipresent, acts as a critical tool, humorously questioning a certain established order, the hierarchy of tastes, and the seductive power of images.
TURSIC & MILLE Dissonances à géométries variables
Ended 11 Oct 2026
Carré d'Art