BOSTON SCULPTORS GALLERY - Boston

Join us for our annual Sculpture in the Garden exhibition, featuring works by local and international artists. The exhibition will be on display from September 18 to October 31, 2025.

Celebrate three decades of Boston Sculptors Gallery with our 30th Anniversary Show. This exhibition brings together works by gallery artists, both past and present, showcasing the diverse range of sculpture, installation, and mixed media that has defined our space over the years.

[PARA] Protection, intimacy, birth, growth, and erosion, play out micro dramas in porcelain-stoneware and fabric landscapes. The amplification of organic textures and figurative shapes suggest elements of the natural world, while alluding to sensual and corporeal experiences of the human body. These forms create the poetic resonance of a somatic body response in the viewer by drawing visual parallels between biological forces expressed in human tissue and, erosion incurred by geological processes. [PARA] The infectious embellishment in the surface of ceramic forms imply protection, just as the fabric membrane encapsulating the human body suggests containment. There is a visual and conceptual push & pull relationship found within a seductive yet slightly menacingly decayed surfaces and the idea of being viewed as a specimen. The connective tissue of various parts of the forms, suggest nesting, growth, and the dual nature of parasitic relationships. These forms also navigate through the territory of intimacy through interior vs. exterior exploration, while asserting the connection between body and land. I am pushing the relatedness of the human body and the natural world, as one entity. [PARA] My process for building is very intuitive. I pay very specific attention to moments within the clay or the stiching of veiled fabric that arise as I am building. I study and draw the human form, as well as geological structures to collage a three dimensional concerto of forms composed of seemingly disparate materials. Within these bodies of work there is the sensation of floating and grounding. Cellular activity that is secretive and seductive. The ritual of the every day sparkling in golden spoons and juicy rings. The human body balanced between earth and sky.

[PARA] Protection, intimacy, birth, growth, and erosion, play out micro dramas in porcelain-stoneware and fabric landscapes. The amplification of organic textures and figurative shapes suggest elements of the natural world, while alluding to sensual and corporeal experiences of the human body. These forms create the poetic resonance of a somatic body response in the viewer by drawing visual parallels between biological forces expressed in human tissue and, erosion incurred by geological processes. [PARA] The infectious embellishment in the surface of ceramic forms imply protection, just as the fabric membrane encapsulating the human body suggests containment. There is a visual and conceptual push & pull relationship found within a seductive yet slightly menacingly decayed surfaces and the idea of being viewed as a specimen. The connective tissue of various parts of the forms, suggest nesting, growth, and the dual nature of parasitic relationships. These forms also navigate through the territory of intimacy through interior vs. exterior exploration, while asserting the connection between body and land. I am pushing the relatedness of the human body and the natural world, as one entity. [PARA] My process for building is very intuitive. I pay very specific attention to moments within the clay or the stiching of veiled fabric that arise as I am building. I study and draw the human form, as well as geological structures to collage a three dimensional concerto of forms composed of seemingly disparate materials. Within these bodies of work there is the sensation of floating and grounding. Cellular activity that is secretive and seductive. The ritual of the every day sparkling in golden spoons and juicy rings. The human body balanced between earth and sky.