Nottingham
NOTTINGHAM CONTEMPORARY
On now
- In autumn 2026 Nottingham Contemporary will present the first institutional solo exhibition, and largest presentation of works to date, of the late British artist Sarah Cunningham (1993–2024, UK). The exhibition marks a deeply meaningful homecoming: the return of the artist’s work to the city where she was born and raised. Cunningham sought out the essential and the alive through her imaginary wildernesses and fluid forestscapes, taking inspiration from the speculative landscapes of science fiction literature, art history, ecology and personal references. Part abstract experimentation, part spiritual journey, every painting at some level represents the intuitive and unspokenDescription
Sarah Cunningham: Midnight Sun
Until 10 Jan 2027

- In Autumn 2026, we will present the first international institutional solo exhibition of Julia Isídrez (b.1967, Paraguay), whose clay sculptures trouble and enlighten many issues that define cultural debate today – from indigeneity and identity politics to craft. Rooted in the ceramic traditions passed down through generations of women in Itá, Isídrez learned the craft from her mother Juana Marta Rodas, working with local clay and long-standing GuaraníDescription
Julia Isídrez: Mud is everything
Until 10 Jan 2027

Recent past exhibitions
- In her first solo exhibition in the UK, Shahana Rajani presents a new body of work that explores the relationship between memory, history and the landscape. The exhibition features video, sculpture and installation, drawing on Rajani's experiences growing up in Pakistan and her ongoing engagement with the country's complex cultural and political history.Description
Shahana Rajani: Lines That World a River لکیروں سے دریا تھامنا
Ended 10 May 2026
- We are thrilled to be presenting the first solo exhibition in a major cultural institution in the UK by Dala Nasser (b.1990, Lebanon). The exhibition will feature a large-scale sculptural and sonic installation that invites audiences into a collective space of mourning and remembrance. By using the process of frottage (the technique of taking a rubbing from an uneven surface), Nasser will transform the gallery space into a symbolic graveyard, creating a collection of charcoal rubbings collected from the graves of seminal artists, writers, poets, filmmakers, historians and journalists from across Lebanon, Egypt, Jordan and England. Representing cultural figures from the mid nineteenth century (specifically the Nahda, Arab Renaissance) to the present day, the work honours those who fought for independence and freedom in times of political dominance and occupation and whose art, writing, and intellectual contributions have shaped the notion of true sovereignty in Western Asia. Cyanotypes will stand in as visual representations of the figures whose graves are unreachable or unknown, and will accompany the grave rubbings alongside black mourning fabrics. These mixed fabrics will hang from a wooden skeletal structure traversing two galleries, creating a canopy of graves that visitors can experience from underneath. An accompanying audio installation will permeate through the installation, featuring a voice communicating between both realms of the living and the dead. Cemetery of Martyrs will create a collective space to gather and hold the voices and legacies of figures who were steadfast in their commitment to freedom; a graveyard to mourn, learn, and reaffirm the power of culture and humanity to connect us to histories of resistance and renewal.Description
Dala Nasser: Cemetery of Martyrs
Ended 10 May 2026