TUESDAY TO FRIDAY

γ¹ β¹ A¹ B¹ C ↑ I⁴ K⁵ ↓ brings together the proposals of Andrea Muniáin, Lola Zoido, and Mayte Gómez Molina around the persistence of narrative structures as models for thinking about contemporary technology. The exhibition draws on the tale, the fable, and myth not as stories of the past, but as active devices that continue to organize our relationship with images, promise, and transformation. The three artists work from different imaginaries, yet they share an interest in the mechanisms that produce meaning and trust: automatons, pacts, algorithms, artificial intelligences. In their works, technology appears linked to ancient forms of magic and ritual, where the visible and the hidden, the trick and the rule, coexist without being fully resolved. In this way, the narrative is articulated as an intermediate space between science and fiction, between calculation and belief. Through video, 3D animation, and printed imagery, the exhibition traces a speculative genealogy that connects early mechanical devices with today’s digital systems. Transformation—central to the folk tale—reappears here as both a technical and symbolic operation: to convert, to translate, to promise, to optimize. γ¹ β¹ A¹ B¹ C ↑ I⁴ K⁵ ↓ proposes inhabiting this tension, asking what stories we continue to tell in order to give form to a present increasingly mediated by images and systems that operate as black boxes. Andrea Muniáin (Tudela, Spain, 1994) has a background as an architect and researcher. Her practice focuses on current relationships between digitality, corporeality, and physicality. At present, Andrea’s work explores—beyond the digital repre