Galerie Greta Meert

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• Anyone entering the space registers immediately that no reading direction has been imposed. The mural Du Pasquier designed for this exhibition cannot be avoided: laid across the walls in bright colour, it stops the eye from settling anywhere neutral. There is no first work, no route, no chronology. The installation operates in two registers at once. It asks first to be taken in as a whole, the ensemble assessed at a single glance, before allowing you to zoom in: on a series, a single canvas, a specific form within that canvas. Switching between the two is left to the visitor, who, even viewed from the
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  Nathalie Du Pasquier ON A SHELF

  Jusqu’au 31 oct. 2026

  
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• Galerie Greta Meert is delighted to present a solo exhibition by the American artist Marina Pinsky, her first at the gallery. Titled The Wave(s) or Newton’s Rings, the exhibition brings together works in varying media including photography, painting and sculpture utilising glass. The work’s content centres on optics and light phenomena, and weaves together numerous interconnected literary, artistic and architectural protagonists. The exhibition’s title is partially borrowed from Virginia Woolf’s classic novel The Waves, whose structure overlays the thoughts and narratives of its characters, with each chapter describing the subtle light effects of the sun rising over the sea. Pinsky has attempted to harmonise the varied works in the exhibition as if they were concurrent protagonists, each spinning off from one another, their individual narratives ebbing and flowing together. Simultaneously, the title refers to The Wave, an anomalous sculptural work by Agnes Martin once shown in an exhibition devoted to games made by artists. Pinsky has long been fascinated by
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  Marina Pinsky The Wave(s) or Newton’s Rings

  Jusqu’au 31 oct. 2026

  
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